[82], In May 1988, the label held a 40th Anniversary concert, broadcast on HBO. According to Greenberg, Ertegun had long seen the UK as a source of untapped talent. Juliette Jones of Atlantic Records is a self-proclaimed "accidental executive.". [53] Months later the company was reeling from the successive loss of its two biggest artists, Bobby Darin and Ray Charles, who together accounted for one-third of sales. The signing was complicated by the fact that Nash was still under contract to Epic Records (The Hollies' US distributor), but Ertegun used his diplomatic prowess to overcome this by arranging a 'swap' he released former Buffalo Springfield member Richie Furay from his Atlantic contract, allowing Furay's new group Poco to sign to Epic, and in exchange Columbia Records (the parent company of Epic) allowed Nash to sign to Atlantic. Websites. Craig Rosen has been working as a Vice President, A and R at Atlantic Records for 10 years. Wexler ultimately decided to leave New York and move to Florida. Wexler disliked him. [54] Ray Charles returned to Atlantic in 1977. [9] When interviewed in 2009, she attributed her reputation to the company's chronic cash-flow shortage: " most of the problems we had with artists were that they wanted advances, and that was very difficult for us we were undercapitalized for a long time. It was not until the mid-1960s that multitrack recorders became the norm in English studios and EMI's Abbey Road Studios did not install 8-track facilities until 1968. Variety and the Flying V logos are trademarks of Variety Media, LLC. 5 on the Billboard Hot 100. [5] Ahmet ostensibly stayed in Washington to undertake post-graduate music studies at Georgetown University but immersed himself in the Washington music scene and entered the record business, which was enjoying a resurgence after wartime restrictions on the shellac used in manufacture. Although Ertegun had been forced into accepting the sale, he turned the situation to his advantage. 1, Pop No. Aaron Bay-Schuck. By the mid-1950s Atlantic had an informal agreement with the French label Barclay, and the two companies regularly exchanged titles, usually jazz recordings. Jerry L. Greenberg is an American music executive, who at 32, was the youngest president of any major record company in the recording industry and received that title in 1974 as President of Atlantic Records . Ertegun asked about artists' royalties, which he paid, and this surprised Columbia executives, who did not, and the deal was scuttled. In 1962 folk music was booming and the label came very close to signing Peter, Paul & Mary; although Wexler and Ertegun pursued them vigorously the deal fell through at the last minute and they later discovered music publisher Artie Mogull had introduced their manager Albert Grossman to Warner Bros. executive Herman Starr, who had made the trio an irresistible offer that gave them complete creative control over the recording and packaging of their music.[61]. Vice President, A&R. Phone Email. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's breakthrough album . Kalodner was overseeing the recording of Collins' solo album while Atlantic were vacillating about signing the band and Collins, but it was at this point that Kalodner was abruptly dismissed from Atlantic, although he was almost immediately recruited to head the A&R division at the newly formed Geffen Records. That streak has continued over the years, particularly with the remarkably consistent current regime of co-chairs Craig Kallman and Julie Greenwald, who have steered the ship since 2004. Collins replied "The drums come later," to which Ertegun retorted "By that time the kids will have switched over to another radio station." 2 in the US and No. Songwriter Bert Berns hated Spector's arrangement and thought it ruined the song, so Berns re-recorded it with The Isley Brothers and it became a hit. [22] Their records created some controversy: the suggestive "Such A Night" was banned by radio station WXYZ in Detroit, Michigan, and "Honey Love" was banned in Memphis, Tennessee[23] but both reached No. [26], Nesuhi was also in charge of LP production. The union action forced Atlantic to use almost all its capital to cut and stockpile enough recordings to last through the ban, which was expected to continue for at least a year. But the Ertegun brothers held the majority of stock while Wexler controlled about 20 percent. As part of the negotiations, Collins and his bandmates wanted their own 'vanity' label, Duke Records, but according to Kalodner, and despite Ertegun's personal interest, the group's demands, and their relatively modest performance in the US made Atlantic executives ambivalent about the deal. Sadi Koylan. Irene Sourlis is a Vice President, A&R Administration at Atlantic Records based in New York, New York. Greenberg served as President and CEO of MJJ Music from 1993 to 2000. Variety is a part of Penske Media Corporation. A few weeks later Brown's "Teardrops from My Eyes" became its first million-selling record. The single was issued in August 1962 and became the biggest instrumental hit of the year, reaching No. He was named Atlantic Senior Vice President of A&R in 2020. 8), "Chain of Fools" (Soul No. Abramson's wife Miriam ran the label's publishing company, Progressive Music, and did most office duties until 1949 when Atlantic hired its first employee, bookkeeper Francine Wakschal, who remained with the label for the next 49 years. December 2, 2014, 12:34 PM. The deal closed in early 2004, consolidating Elektra Records and Atlantic into one label operated in the eastern United States. Playing them back required a turntable with a special tone-arm fitted with dual needles; it was not until around 1958 that the single stylus microgroove system (in which the two stereo channels were cut into either side of a single groove) became the industry standard. Wexler dismissed developments in pop music, dubbing the musicians "the rockoids". After a stint at Infinity Records (They closed apparently Infinity wasnt forever, she cracks), Ganis arrived at Warner Musics Atlantic label and quickly became a legend at the company and within the industry. Ertegun started lifelong grudges against Leiber and Stoller, and his relationship with Wexler was damaged. After surprisingly failing their audition for Apple Records, thanks to Ertegun's intervention and intense negotiations with David Geffen, who represented Crosby and Nash, as well as Stills,[75] they ultimately signed with Atlantic, who gave them virtually complete freedom to record their first album. In the years that followed, Foreigner became one of Atlantic's biggest successes, and one of the biggest-selling groups in history, scoring a string of international hits and selling more than 80 million albums worldwide, including 37.5 million albums in the US alone. They are seeking a Vice President Employee Engagement and . The overall enormity of this song changed that. The announcement was made today by Atlantic Chairman/COO Julie . 2023 Variety Media, LLC. [70] Other releases that year include albums by Aretha Franklin (Soul '69), Led Zeppelin (Led Zeppelin), Don Covay (House of Blue Lights), Boz Scaggs (Boz Scaggs), Roberta Flack (First Take), Wilson Pickett (Hey Jude), Mott the Hoople (Mott the Hoople), and Black Pearl (Black Pearl).[70]. Atlantic also began to get recordings distributed in the United Kingdom, first through EMI on a 'one-off' basis. [5] Ertegun hired Billboard reporter Jerry Wexler in June 1953. [19] After Brown left the label in 1961, her career declined, and she worked as a cleaner and bus driver to support her children. During 1968 Atlantic established a new subsidiary label, Cotillion Records. 2 on the pop chart. The building was purchased less than a week earlier and had been scheduled to reopen as a Nadler's Furniture Center, in an effort to revitalize the downtown area. In addition, Mirage opened a subsidiary office in Jamaica with Stacy Greenberg as General Manager and an office in Las Vegas, NV. In the 1980s she sued Atlantic for unpaid royalties; although Atlantic, which prided itself on treating artists fairly, had stopped paying royalties to some musicians. Two female artists were personally signed by Wexler, with album releases in 1969, Dusty Springfield (Dusty in Memphis)[67] and Lotti Golden (Motor-Cycle),[68] although Golden also had a close working relationship with Ertegun, who was instrumental in her signing with the label. In 1978, Atlantic finally broke the leading UK progressive group Genesis as a major act in the US. The song sold 100,000 copies in the first month and became a million-seller. 2005 - Jerry & Bob Greenberg form the Rainbow Bar & Grill Expansion Group. Brown recorded more than eighty songs for Atlantic, becoming its bestselling, most prolific musician of the period. . Ahmet Ertegun had first seen them perform in the Midwest on one of their early American tours, and it was on this occasion that he also became an ardent fan of their drummer/vocalist, Phil Collins. Atlantic Records. [21] She hit No. Jerry Greenberg signed the group to Atlantic in the US in 1973 on Ertegun's advice, but although they were very successful in Europe, Genesis remained at best a "cult" act in America for most of the Seventies. Abramson's departure opened the way for Ahmet Ertegun to take over as president of the label. The band recorded for Atlantic Records, Roulette Records, United Artists, and DCP Record labels. Greenberg was asked to stay on and produce movie soundtracks, and in turn, ended up working with such greats as Mel Brooks on the soundtrack for the 1987 comedy, 'Spaceballs.'. Atlantic Records President of Promotion Andrea Ganis Looks Back, and Ahead, at Her Legendary Career By Jem Aswad Courtesy of andrea ganis Few music industry vets approach the level of royalty. Atlantic Business Interiors offers a vast array of office furniture and equipment, and combine that with an in-depth knowledge of workplace layout and ergonomics to ensure you make the most of your office space and give your workforce the best work . First and foremost is the music itself, and then the strategy created to expose it.. [39] The roles of the other executives with Abramson's departure were Wexler as executive vice-president and general manager, Nesuhi Ertegun as executive vice-president in charge of the LP department and Miriam Bienstock as vice-president and also president of Atlantic's music publishing arm Progressive Music with Wexler as executive vice-president and the Ertegun brothers vice-president of Progressive. By this time creative tensions within The Hollies were coming to a head, and Nash had already decided to leave the group. The group was the brainchild of expatriate British musicians Mick Jones (ex Spooky Tooth) and Ian McDonald, one of the founding members of King Crimson. Although the extended length of much of their material made it somewhat difficult to promote the band with single releases, their live prowess gained them an avid following and their albums were hugely successful their third LP The Yes Album (1971), which featured the debut of new guitarist Steve Howe, became their first big hit, reaching #4 in the UK and just scraping onto the chart in the US at #40. 1 Rock & Roll Restaurant on Sunset Strip in Hollywood. Ertegun also insisted on changes to the song that became Collins' debut single. He came to my office every day to discuss the development of our records and would make me study sales reports, imparting that sales was the way to truly judge if a record was real. From Ertegun he learned how to treat musicians.[73]. Abramson's then wife Miriam ran Atlantic's publishing company and handled most of the office work. In addition to establishing Cotillion, Atlantic began expanding its own roster to include rock, soul/rock, progressive rock, British bands and singer songwriters. [5], In early 1949, a New Orleans distributor phoned Ertegun to obtain Stick McGhee's "Drinking Wine, Spo-Dee-O-Dee", which was unavailable due to the closing of McGhee's previous label, Harlem Records. "The Record Man: Ahmet Ertegun, Founder of Atlantic Records", "Warner Music Slashes Jobs, Ousts Bigwigs", "Atlantic Records founder Ahmet Ertegun dies", "Rock & Roll Founding Father Ahmet Ertegun Dies at 83", "Atlantic Puts 256 Stories on a Pair Of 10-In. Jan 15 2023. By the age of eighteen years, Greenberg already had his own record label, called Green-Sea Records. 1 pop hit. Wexler exploded and replied the payment would mean the end of their relationship with the label. In April of that year, Miriam (Abramson) Bienstock reported to Billboard that Atlantic was selling 75% of its singles as 45s. Halifax, Nova Scotia, Canada. 1967 - Jerry Wexler asked Greenberg to become his personal assistant at Atlantic Records. ", Atlantic suffered a catastrophic loss in the early morning of February 8, 1978, when a fire destroyed most of its tape archive, which had been stored in a non-air-conditioned warehouse in Long Branch, New Jersey. The new Warner owners refused to relinquish ownership of the Stax masters, so the distribution deal ended in May 1968. Army. Atlantic offered $25,000 which, Ertegun later noted, "was all the money we had then. Cotillion also released the triple-albums soundtrack of the Woodstock festival film in 1970. Within the first two weeks, The Box went from 33 million to 60 million streams. The first song Wexler produced with Burke was "Just Out of Reach", which became a big hit in September 1961. [16] Early releases included music by Sidney Bechet, Barney Bigard, The Cardinals, The Clovers, Frank Culley, The Delta Rhythm Boys, Erroll Garner, Dizzy Gillespie, Tiny Grimes, Al Hibbler, Earl Hines, Johnny Hodges, Jackie & Roy, Lead Belly, Meade Lux Lewis, Professor Longhair, Shelly Manne, Howard McGhee, Mabel Mercer, James Moody, Joe Morris, Art Pepper, Django Reinhardt, Pete Rugolo, Pee Wee Russell, Bobby Short, Sylvia Syms, Billy Taylor, Sonny Terry, Big Joe Turner, Jimmy Yancey, Sarah Vaughan, Mal Waldron, and Mary Lou Williams. Jerry Wexler said, "we're gonna put her back in church. The trio's unique vocal chemistry was instantly apparent, so when Nash quit the Hollies in August 1968 and relocated to Los Angeles, the three immediately formed a trio, Crosby, Stills & Nash. Despite the huge success Atlantic was enjoying with its own artists and through its deal with Stax, by 1967 Jerry Wexler was seriously concerned about the disintegration of the old order of independent record companies and, fearing for the label's future, he began agitating for it to be sold to a larger company. Ertegun composed songs under the alias "A. Nugetre", including Big Joe Turner's hit "Chains of Love", recording them in booths in Times Square, then giving them to an arranger or session musician. Leiber and Stoller also wrote the hit "Ruby Baby" for The Drifters. Atlantic said it was too early in Blunt's career, and it did not want him to be a one-hit wonder. Over the course of two decades, starting from the release of its first recordings in January 1948,[3] Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. When released in February 1949,[5] it became Atlantic's first hit, selling 400,000 copies, and reached No. [48] When Spector criticized Bobby Darin's songwriting, Darin had him thrown out of the house. 1957 - Gerald L. Greenberg from New Haven, CT formed his own band. It was groundbreaking., And although she may have blazed a trail as a female executive in the male-dominated world of promotion, for her its all about team success over individual success, in service of the artists.
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